The Surprise symphony starts out soft and then has a big orchestral bang, to wake up sleepy concertgoers. It is usually called by its nickname, the Surprise Symphony. Rather, it was added by the composer as a “surprise” in the London premiere on March 23, 1792, later on it was part of the symphony in all perfromances. 94 in G major ‘Surprise’ Instrumentation Strings, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani Movements I: Adagio cantabile – Allegro assai (G) II: Andante (C) III: Menuetto – Allegro molto (G) IV: Allegro di molto (G) Overview The second movement of this symphony is one of… The music then returns to its original quiet dynamic as if nothing has happened, and the ensuing variations do not repeat the joke. Nikolaus' successor, his son Anton, was not a great music fan and largely disbanded the family's musical establishment. Haydn wrote the symphony in 1791 in London for a concert series he gave during the first of his visits to England (1791–1792). The glimpses of … Near the end of the movement, the "Turkish" instruments return coloring the tutti sections for the rest of the way. Purchase The premiere took place at the Hanover Square Rooms in London on March 23, 1792, with Haydn leading the orchestra seated at a fortepiano.. Haydn was put in charge of an orchestra of about 16 musicians, and for this ensemble he wrote his first symphony as well as numerous divertimenti for wind band or for wind instruments and strings. The trio is "tuneless", similar to the Trio of the minuet in Symphony No. 29, and Haydn may have intended for a solo instrument to improvise a theme over the accompaniment. This is the theme from the second movement which contains the famous 'surprise'. I didn't listen to this CD, because I sent it as a gift. Franz Josef Haydn had served as Kapellmeister, or court composer, for Prince Nikolaus I Esterházy for 28 years by the time the Prince died in 1790. Haydn's music contains many jokes, and the Surprise Symphony includes probably the most famous of all: a sudden fortissimo chord at the end of the otherwise piano opening theme in the variation-form second movement. Publication noted in the Bibliographie de la France 2e série, 63e année, Nº 28, 11 Juillet 1874, p.361, r.2053. The Symphony No. 1791 Joseph Haydn Symphony No. The surprise here comes in the final movement. Date of composition. Published here as Symphony No.3 in G. (And misfiled as Symphony Hob.I:3 in BDH's catalog.) Scoring. The Symphony No. Exploring the context of Franz Joseph Haydn’s “Surprise” Symphony and Jacques Offenbach’s Overture to Orpheus in the Underworld The use of surprise in the armory of the composer likely goes back as far as it has been part of the repertoire of the soldier. In the center of the movement is a development-like section which contains a surprise timpani strike followed by a traversal of many distant keys. 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